Subcategories

Nathalie Stutzmann – Bach: Une cantate imaginaire (2012) (Repost)

Posted By: tirexiss
Nathalie Stutzmann – Bach: Une cantate imaginaire (2012) (Repost)

Nathalie Stutzmann – Bach: Une cantate imaginaire (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 79:47 | 458 MB
Genre: Classical, Vocal | Label: Deutsche Grammophon | Catalog: 481 0062

Nathalie Stutzmann’s credentials as a Bach singer are well established, as genuine and unmistakable a contralto voice as we’ve heard in his music on record. Now she presents a programme of hand-picked movements (mainly) from the cantata depository as singer-director – a combination of tasks by which, on this evidence, she appears distinctly unfazed.

Military Wives Choirs - Remember (2018)

Posted By: pyatak
Military Wives Choirs - Remember (2018)

Military Wives Choirs - Remember (2018)
WEB FLAC (Tracks) 264 MB | Cover | 40:19 minutes | MP3 CBR 320 kbps | 87 MB
Classical, Choral| Label: Military Wives Choirs

The Military Wives Choirs are marking the centenary of the end of WW1 with a commemorative album, telling their unique story in collaboration with military musicians from across the services through a combination of exciting new compositions and traditional songs.

Cullan Bryant and Dmitry Rachmanov - Beethoven and His Teachers: Music for Piano, Four Hands (2011) 2CDs

Posted By: Designol
Cullan Bryant and Dmitry Rachmanov - Beethoven and His Teachers: Music for Piano, Four Hands (2011) 2CDs

Beethoven and His Teachers: Music for Piano, Four Hands (2011) 2CDs
Cullan Bryant and Dmitry Rachmanov, period piano; Maria Ferrante, soprano

EAC | FLAC | Image (Cue&Log) ~ 384 Mb | Mp3 (CBR320) ~ 114 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.572519-20 | Time: 01:32:20

Performing on early 19th-century pianos from the Frederick Historic Piano Collection, competition prizewinners Dmitry Rachmanov, a Juilliard graduate, and Cullan Bryant, a graduate of Manhattan School of Music, explore the interrelationships between the keyboard music of Beethoven and his principal teachers in this fascinating double-album of rarities for piano four-hands, culminating in a revelatory account of the Great Fugue in Beethoven’s own keyboard arrangement. The distinctive sonorities of these highly esteemed period instruments transport the listener back to the time when Beethoven, his teachers or his own pupils, may have performed this music themselves for the first time.

Westminster Abbey Choir, James O'Donnell - Ludford: Missa Videte miraculum & Ave Maria, ancilla Trinitatis (2018)

Posted By: SERTiL
Westminster Abbey Choir, James O'Donnell - Ludford: Missa Videte miraculum & Ave Maria, ancilla Trinitatis (2018)

Westminster Abbey Choir, James O'Donnell - Ludford: Missa Videte miraculum & Ave Maria, ancilla Trinitatis (2018)
EAC Rip | FLAC (tracks)+cue, log, d. booklet | 296 MB
Label: Hyperion – CDA68192 | Tracks: 39 | Time: 62:18 min
Classical, Choral

Nicholas Ludford’s music is by no means eclipsed by that of his more famous near contemporaries (who include Tallis and Taverner). That such wonderful works—virtually forgotten for nearly half a millennium—can once more be heard is cause for heartfelt gratitude.

Andris Nelsons, Gewandhausorchester Leipzig, Kristine Opolais - Antonin Dvorak: From the New World (2018) [Blu-Ray]

Posted By: Vilboa
Andris Nelsons, Gewandhausorchester Leipzig, Kristine Opolais - Antonin Dvorak: From the New World  (2018) [Blu-Ray]

Andris Nelsons, Gewandhausorchester Leipzig, Kristine Opolais - Antonín Dvořák: From the New World (2018) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 18992 kbps / 1080i / 29,970 fps | 100 min | 21,4 Gb
Audio1: Czech / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3542 kbps / 24-bit
Classical | Accentus Music | Sub: Czech, German, English, French, Japanese, Korean

Andris Nelsons, Kristine Opolais, and the Gewandhausorchester Leipzig form a Dvorák sound from the middle, singing the melodies that the composer concealed in all of the layers of his music with tender, warm, soft colors. Nelsons’ tempos remain calm and relaxed, allowing the omnipresent beauty of Dvorák’s music to unfold and flood the Gewandhaus. This is the first DVD and Blu-ray release of the Gewandhausorchester Leipzig under the baton of its new music director Andris Nelsons. Recorded at the Gewandhaus zu Leipzig, May 2017.

Giulia Semenzato, Raffaele Pe, La Venexiana, Claudio Cavina - Cavalli: Sospiri d'amore (2016)

Posted By: tirexiss
Giulia Semenzato, Raffaele Pe, La Venexiana, Claudio Cavina - Cavalli: Sospiri d'amore (2016)

Giulia Semenzato, Raffaele Pe, La Venexiana, Claudio Cavina - Cavalli: Sospiri d'amore (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 01:00:02 | 310 MB
Genre: Classical Opera | Label: Glossa | Catalog: GCD 920940

Two of the brightest singing talents to have emerged from Italy in recent years, Giulia Semenzato and Raffaele Pe, join forces for Sospiri d’amore, a dazzling celebration of operatic arias and duets by that Baroque master of amorous emotions, Francesco Cavalli. Soprano and countertenor are supported by a modern master of Italian Baroque style in Claudio Cavina, who directs La Venexiana (Cavina has also led the Glossa recording of Cavalli’s 1656 opera Artemisia).

Russell Watson - Amore: The Opera Album (2013)

Posted By: delpotro
Russell Watson - Amore: The Opera Album (2013)

Russell Watson - Amore: The Opera Album (2013)
EAC Rip | FLAC (tracks+log+.cue) - 269 Mb | MP3 CBR 320 kbps - 123 Mb | 00:47:31
Classical Crossover, Vocal, Opera | Label: Decca Classics

Russell Watson explores the full-blooded romantic potential of the operatic repertoire with this collection of some of the best-loved tenor arias of all time.

Anne-Catherine Gillet - Barber - Berlioz - Britten (2011) {Aeon AECD 1113}

Posted By: ruskaval
Anne-Catherine Gillet - Barber - Berlioz - Britten (2011) {Aeon AECD 1113}

Anne-Catherine Gillet - Barber - Berlioz - Britten (2011) {Aeon AECD 1113}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 328 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 300 dpi (png) -> 147 Mb | 5% repair rar
© 2011 Aeon | AECD 1113
Classical / Vocal

Belgian soprano Anne-Catherine Gillet has had a significant career in European opera houses, but she has been little-known in the United States. Her 2011 solo album debut, an outstanding recording of three song cycles, ought to change that, though, and bring her to the attention of a broader public. She sings with a tone that is sweet, full, focused, and brightly colorful. Her intonation and technique are irreproachable. Her voice is absolutely solid, from the depths that Berlioz requires to a lyrically soaring top.

Emma Kirkby, London Baroque - Handel in Italy: Solo Cantatas (2008) (Repost)

Posted By: tirexiss
Emma Kirkby, London Baroque - Handel in Italy: Solo Cantatas (2008) (Repost)

Emma Kirkby, London Baroque - Handel in Italy: Solo Cantatas (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 67:23 | 361 MB
Genre: Classical | Label: BIS | Catalog: BIS-SACD-1695

This exciting programme is presented by Emma Kirkby and London Baroque, household names in the sphere of 'early music', and certainly no new-comers to th works of Handel. Indeed, when they last joined forces in a Handel programme the website MusicWeb International called the performances ones that 'make one wish that all Handel music making could be of this order', while the reviewer in BBC Music Magazine wrote 'Ive seldom been as moved by a recording, both music and performance'.

China National Symphony Orchestra & Chorus, Michel Plasson - Guan Xia: Earth Requiem (2013)

Posted By: Designol
China National Symphony Orchestra & Chorus, Michel Plasson - Guan Xia: Earth Requiem (2013)

Guan Xia - Earth Requiem (2013)
China National Symphony Orchestra & Chorus, conducted by Michel Plasson

EAC | FLAC | Image (Cue&Log) ~ 309 Mb | Mp3 (CBR320) ~ 178 Mb | Scans included | 01:03:52
Classical, Contemporary, Choral | Label: Virgin Classics | # 5099993411929

The “Earth Requiem” is a gigantic work performed and recorded in Beijing in May 2011 in remembrance of the devastating Sichuan earthquake in 2008. This is the first Chinese Requiem ever composed. This massive work by renowned Chinese composer Guan Xia is scored for 100 instrumentalists, a choir of 150 singers, an organ and 4 vocal soloists. The well-established China National Symphony Orchestra invited the legendary French conductor Michel Plasson, who has long had a close association with EMI Classics, to work on the project. This partnership between West and East gives the recording a universal breadth as well as an overarching theme: the Earth. The emotional strength of the work is empowered by its gargantuan scale. A concert and press conference will be held in May 2013 in Beijing's National Centre for the Performing Arts to mark the 5th anniversary of the Sichuan Earthquake.

Simon Rattle, Berliner Philharmoniker, Joyce DiDonato - Silvesterkonzert 2017 [Blu-Ray]

Posted By: Vilboa
Simon Rattle, Berliner Philharmoniker, Joyce DiDonato - Silvesterkonzert 2017 [Blu-Ray]

Simon Rattle, Berliner Philharmoniker, Joyce DiDonato - Silvesterkonzert 2017 [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 29950 kbps / 1080i / 29,970 fps | 87 min | 26,6 Gb
Audio1: LPCM Audio / 2.0 / 96-bit / 4608 kbps | Audio2: DTS-HD MA / 5.0 / 96 kHz / 6351 kbps / 24-bit
Classical | EuroArts | Sub.: English, German, Korean, Japanese

With her flexible, slender but dark-timbred mezzo-soprano, Joyce DiDonato is the star guest at Sir Simon Rattle’s side during the New Year’s Eve Concert, singing Richard Strauss’s lavishly beautiful orchestral songs. The programme also includes works by Dvořák, Stravinsky, Bernstein and Shostakovich and will create the perfect atmosphere for the New Year’s Eve celebrations.

Douglas Knehans (b.1957) - Lux Dei: New Works for Choir - CCM Chorale, Brett Scott (2015) {Ablaze Records ar-00021}

Posted By: ruskaval
Douglas Knehans (b.1957) - Lux Dei: New Works for Choir - CCM Chorale, Brett Scott (2015) {Ablaze Records ar-00021}

Douglas Knehans (b.1957) - Lux Dei: New Works for Choir - CCM Chorale, Brett Scott (2015) {Ablaze Records ar-00021}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 600 dpi (jpg) -> 22 Mb | 5% repair rar
© 2015 Ablaze Records | ar-00021
Classical / Modern Classical / Choral / Sacred / Post-Modern

The works included on this disc traverse an almost 25 year span of interest in writing for large vocal forces. Some of my largest works have been for choir—such as my St. Luke Magnificat or my Shoah Requiem—but on this disc the works, apart from my Missa Brevis, are for a cappella choir. Writing for a cappella choir is a very inspiring medium coupled, as it is, with text and language and the inherent timbral interest of varied vowel and percussive consonant sounds in the voice. The works, apart from Silence from my Two Looks at Silence, are all in Latin and owe more than a little to my background as a Catholic and Catholocism's traditional sacred liturgical literature. —Douglas Knehans.

Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)

Posted By: Designol
Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)

Ludus Modalis, Bruno Boterf - Paschal de L'Estocart: Deux coeurs aimants (2007)
- Chansons, Ode, Psalms and Motets with 3 to 7 voices

EAC | FLAC | Image (Cue&Log) ~ 316 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Classical, Choral, Renaissance | Label: Ramée | # RAM 0703 | Time: 01:04:45

Little is known of the life of Paschal de L'Estocart, the French composer of the late Renaissance who was roughly a contemporary of Claude Le Jeune (1528 -1600). He seems to have been sympathetic to the Protestant Reformers – he spent considerable time in Germany and his music was published in Geneva – but later in life he applied unsuccessfully to the French King for a position at an abbey. His collection of psalms and motets, Sacrae Cantiones, 16 of which are recorded here, are mostly in French, along with several in Latin, and was dedicated to Calvinist Count Palatine Johann Casimir in 1582. This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.

Anne Sofie von Otter - Mozart, Haydn, Gluck: Opera Arias (1997)

Posted By: tirexiss
Anne Sofie von Otter - Mozart, Haydn, Gluck: Opera Arias (1997)

Anne Sofie von Otter - Mozart, Haydn, Gluck: Opera Arias (1997)
EAC | FLAC (image+.cue, log) | Covers Included | 71:15 | 342 MB
Genre: Classical, Vocal | Label: Archiv Produktion | Catalog: 449 206-2

For the sake of both vocal and family well-being, Anne Sofie von Otter has always followed the wise course of self-rationing in opera. This disc, an entirely personal selection of arias from the Viennese Classical period, means all the more to her including, as it does, arias sung by dramatic and passionate women 'most of whom', she admits in the accompanying notes, 'I have never performed on stage and, alas, probably never will'.

Monteverdi - Madrigali Guerrieri Ed Amorosi - Concerto Vocale, René Jacobs (2002) {2CD Set Harmonia Mundi HMC 901736.37}

Posted By: ruskaval
Monteverdi - Madrigali Guerrieri Ed Amorosi - Concerto Vocale, René Jacobs (2002) {2CD Set Harmonia Mundi HMC 901736.37}

Monteverdi - Madrigali Guerrieri Ed Amorosi - Concerto Vocale, René Jacobs (2002) {2CD Set Harmonia Mundi HMC 901736.37}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 701 Mb | MP3 @320 -> 369 Mb
Full Artwork @ 300 dpi (jpg) -> 87 Mb | 5% repair rar
© 2001 Harmonia Mundi | HMC 901736.37
Classical / Baroque / Vocal Music

Monteverdi was seventy-one when he published his Eighth Book of madrigals. This collection, a monumental work of remarkable beauty, is a synthesis of all Monteverdi's experience in the realm of secular music. It is the culmination of a genre, the Italian madrigal, which here achieves a rare state of perfection. INDISPENSABLE!
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